In memory of my grandparents, Yehoshua and Frida Iskin, and my parents, Charlotte and Aharon Ernst IskinĬONTENTS List of Illustrations xi List of Plates xvii Acknowledgments xix Introduction: The Poster at a Crossroads 1 part i the poster as art 1 The Poster’s Place in Modernism: Art and Mass Media in the 1890s 39 2 Toulouse-Lautrec, Jane Avril, and the Iconography of the Female Print Connoisseur in Posters 79 part ii Art and society - History - 19th century. pages cm.- (Interfaces: studies in visual culture) Includes bibliographical references and index. The poster: art, advertising, design, and collecting, 1860s–1900s / Ruth E. Library of Congress Cataloging-in-Publication Data Iskin, Ruth. For permission to reproduce any of the material in this book, contact Permissions, University Press of New England, One Court Street, Suite 250, Lebanon NH 03766 or visit This book was published with the support of the Israel Science Foundation.
#Kimball organ fascination the entertainer pro#
Iskin All rights reserved Manufactured in the United States of America Designed by April Leidig Typeset in Garamond Premier Pro by Copperline Book Services, Inc. ISKIN Dartmouth College Press | Hanover, New Hampshireĭartmouth College Press An imprint of University Press of New England © 2014 Ruth E. McTighe, Framed Spaces: Photography and Memory in Contemporary Installation ArtĮric Gordon, The Urban Spectator: American Concept-Cities from Kodak to GoogleĪrt, advertising, design, and collec ting, 186 0s –19 0 0s Hoberman, Bridge of Light: Yiddish Film between Two Worlds, updated and expanded editionīernd Herzogenrath, ed., Travels in Intermedia: ReBlurring the BoundariesĮrina Duganne, The Self in Black and White: Race and Subjectivity in Postwar American Photography
Anderson, Technologies of History: Visual Media and the Eccentricity of the PastĪlessandra Raengo, On the Sleeve of the Visual: Race as Face Value Frazer Ward, No Innocent Bystanders: Performance Art and Audience Timothy Scott Barker, Time and the Digital: Connecting Technology, Aesthetics, and a Process Philosophy of Timeĭorothée Brill, Shock and the Senseless in Dada and Fluxus Janine Mileaf, Please Touch: Dada and Surrealist Objects after the Readymade J. hoogland, A Violent Embrace: Art and Aesthetics after Representation Edwards, The Maltese Touch of Evil: Film Noir and Potential Criticism Heidi Rae Cooley, Finding Augusta: Habits of Mobility and Governance in the Digital Era Dietrich, eds., The Educated Eye: Visual Culture and Pedagogy in the Life Sciences Heather Warren-Crow, Girlhood and the Plastic Image Iskin, The Poster: Art, Advertising, Design, and Collecting, 1860s–1900sĪlison Trope, Stardust Monuments: The Saving and Selling of Hollywood For a complete list of books that are available in the series, visit Ruth E.
#Kimball organ fascination the entertainer series#
This series brings together approaches to visual culture - broadly conceived - that assess these dynamics critically and that break new ground in understanding their effects and implications.
These have resulted in a trans-disciplinary fascination with all things visual, from “high” to “low,” and from esoteric to popular. Its impetus derives from the increasing importance of visual signs in everyday life, and from the rapid expansion of what are termed “new media.” The broad cultural and social dynamics attendant to these developments present new challenges and opportunities across and within the disciplines. Randolph, Dartmouth College This series, sponsored by Dartmouth College Press, develops and promotes the study of visual culture from a variety of critical and methodological perspectives. Interfaces: Studies in Visual Culture Editors Mark J. PART IV: Collecting and Iconophilia.ħ | The Poster at the Origins of the Age of Spectacle: The Rise of the Image and Modern Iconophobia.Ĩ | The Iconophile’s Collecting: Posters as an Ephemeral Archaeology of Modernity.Ĭolor Plates (2). PART III: The Poster as Design and Advertising.ĥ | Art and Advertising in the Street.Ħ | Poster Design: The Dialogics of Image and Word. Part II: The Poster and Print: Reproduction and Consecration.ģ | The Color Print: Art in the Age of Lithography.Ĥ | Les Maîtres de l’Affiche: Aura and Reproduction. Introduction: The Poster at a Crossroads.ġ | The Poster's Place in Modernism: Art and Mass Media in the 1890s.Ģ | Toulouse-Lautrec, Jane Avril, and the Iconography of the Female Print Connoisseur in Posters.
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